Men and Women in British Literature Essay - 1194 Words

The portrayal of men and women has varied in different stories throughout history. Many portray women as beautiful, deceptive, manipulative, and smart, while men are portrayed as being strong, masculine, and easily tricked. In many of the works covered in the course â€Å"Major British Writers to 1800,† men are advised to refrain from acting lustful, believed that it would harm their overall ability to succeed in whatever the characters aimed to do. An example of this is seen in â€Å"Sir Gawain and the Green Knight† when Gawain is deceived by Lady Bertilak in an effort to prove that Sir Gawain is imperfect. The depictions of men and women are very similar in Fantomina by Eliza Haywood, Sir Gawain and the Green Knight, and Phyllis and Aristotle. .†¦show more content†¦While Sir Gawain was nearly beheaded as was Aristotle in their stories, the result of the deception by Fantomina was an unplanned pregnancy. I feel that Haywood shows morality in this result becau se, unlike other works, the man is not punished for being deceived, with the only real trouble of Beauplaisir being that he knows of the existence of his child, which is an internal punishment for his actions. Beauplaisir being unpunished and having his name remain untarnished while Fantomina was sent to a monastery with her child is an example of how Haywood remained consistent with the portrayal of other works in regards to male and female portrayal while also distinguishing herself and her work from other works. The portrayal of women in Milton’s Paradise Lost is very different from the other works. While women are often seen as being deceitful, devious, and smart, the depiction of Eve is different as she is seen as being dumber and more inferior to Adam in all areas besides beauty. This portrayal of Eve assisted in the progression of Paradise Lost as Eve ate the forbidden apple after being persuaded by Satan to eat the apple. While the incident caused Adam to also disobey God, it created a bond between Adam and Eve that was greater than before the incident when they were considered pure. The bond between Adam and Eve that is improved through the learning of new emotions, trying new things, and theShow MoreRelatedRole of Women in WWI1712 Words   |  7 Pagesï » ¿Role of Women in WWI Abstract During the World War I, effective propaganda and publicity was used by Britain and its allies to create patriotism, recruit new soldiers, and raise funds and to justify for going on war against the enemy. Women played an important role in influencing the propaganda of World War I. Literature, music, cinema, posters and postcards were used in order to promote the war and justify its cause by Britain and its allies. World War I had a massive impact in Europe andRead MoreThe Role Of Women In Literature1587 Words   |  7 Pagesfeelings that they have. Majority of the time these feelings are expressed through literature. An example is the archetypes that can be found throughout literature. In the British Middle Ages, the people were grouped into different social classes using the feudal system. Society was mainly broken into two separate groups, the nobles, and the peasants. However, there was also a subset group, which maintained the women. Women were the lowest of the low because they were considered to be evil because ofRead MoreWilliam Chaucer s The Wife Of Bath1347 Words   |  6 Pages Women Progressing Over the years, some may argue that literature has progressed into a better manner or for the worst. In British literature, motifs vary throughout the multiple time periods, such as the Anglo-Saxon Era, Medieval Era, to the Age of Reason period; moreover, motifs have changed out of the regular and accustomed angelic Christian that has to repent and believe in God. 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French Revolution and storming of the Bastille had a great influence on English society and literature. It influenced almost every sphere of life. The Victorian Age (1830-1901) was a period of great progress and prosperity for the nation. This was a period in which industry, technology, and science were celebrated with renewed vigor. Because ofRead MoreFeminism In Gimba Kakandas A Letter To My Unborn Daughter1054 Words   |  5 Pagesour ribs to be chained into marital slavery. Feminism, as evinced in Kakandas letter, is a particularly urgent issue in the genre of world literature. In countries with a history of colonialism, those who are able to speak and who they speak for are vitally important questions. In fact, many parallels exist between the colonialism and the oppression of women: language, participation, and land. Because of the inherent connection postcolonialism and feminism, many writers of the International WritingRead MoreCompare and Contrast the Romantics: William Blake and Mary Wollstonecraft1041 Words   |  5 PagesWilliam Blake sets out to do the same for children. Both Blake and Wollstonecraft can be read by the average man and woman, lending its attention toward both upper and middle class. Wollstonecraft’s revolutionary themes of tyranny and oppression of women parallel the themes in Blake’s poetry of the tyranny and oppression of children; hence, leading the reader to the Romantic notion of empathy. Wollstonecraft’s use of nonfiction prose for A Vindication of the Rights of Woman sets her apart from theRead MoreJessie Pope War Women Analysis1582 Words   |  7 Pageshave greatly impacted modern British literature in the 20th century. There were many poems written about the period of war; some showed them in a positive light and some negative. Gender roles, gender relations on what means to be a man or a woman impacted greatly during this time. In particular with World War I, women in large numbers took over jobs in the homeland while the men were out fighting. Questions on what is femininity and what is masculinity were on the rise. Men were constantly fed withRead MoreThe Importance Of Romanticism1046 Words   |  5 Pagesvalue even to this day. That aspect being the expansive amount of literature created during the era. The era of Romanticism had its name for a reason. It can be greatly attributed to the romantic style or genre of literature that defined the period. Romantic writers wove many tales of admiration, longing, and aspirations. They were fantastical, in a sen se, and almost the antithesis of realism, even. Amidst the great breadth of literature during the era, one genre in particular stood out from the othersRead MoreEssay on The Power of Education: Mary Wollstonecraft1156 Words   |  5 PagesWollstonecraft Mary Wollstonecraft believed that there was more that women could do to improve the way they were view’d by society. The work that was produced by Wollstonecraft improved immensely the roles of women. The roles of women in the 18th century were very limited, women had no voice, â€Å"A Vindication of the Rights of Women† was the reason for the change in social roles. The fact that Wollstonecraft was able to have such an impact on all these women, and express that they truly played an important role on

Gender Inequality Within The United States - 1686 Words

America has advanced socially in regards to sexual equality since the birth of the nation. There have been many advances in society, especially for women despite these advancements, there continues to be inequalities in sexual â€Å"equality† .Why does a wage difference exists between men and women? Are employers being sexist? Sexism has been a problem since the beginning of mankind. Women have struggled to achieve equality with men. The male dominated culture has led the female gender to become the â€Å"weaker sex†. This discrimination, of course, based on the stereotype that women should be stay at home playing the role of the typical house wife. It wasn’t even until the 19th Amendment passed in 1919 that allowed women to vote. Even sex†¦show more content†¦So if this is the problem shouldnt the wage of a male teacher be the same as the one as a female teacher? This is not the case.Male public school teachers earn between 10 to 13 percent more than f emales, on average, and a little more than half of this difference is accounted for by differences in the characteristics of male and female teachers(Gruber,1996).This proves that the reason for the difference in wages is not the fact that women choose low paying jobs but because of the gender difference. Gruber also mentioned that, â€Å" married females receive lower salaries than non married females, while for males, no difference associated with marital status is identified, all else equal.† If the choice of the women really had to do with her pay then why doesn t the male teacher get affected? In this case of both of them being teachers both of them should be getting payed the same amount. As said by Dr. Golding,â€Å"There is a belief, which is just not true, that women are just in bad occupations and if we just put them in better occupations, we would solve the gender gap problem,†(Miller,2014). By saying this she states that the reason there is a difference in wages is not because of the choices in jobs but rather other sexist reasons. This is not fair due to the fact that women are outpacing men in getting college degrees(Glynn, 2012).This

Music Publishing Need in National Copyright Laws

Question: Write an essay on music publishing? Answer: Introduction: Music publishing is termed as a contractual relationship between the music publisher and the songwriter, under such contract music composer assigns all copyrights of the music to the publisher for commercial exploitation of the music (Kidson, 1907). Randal Wixen described Music Publishing is the owing and exploiting of songs in the form of musical copyrights. Development, valuation and protection of the music are the things which are concerned in the business of music publishing. As per contract publisher ensures that with the exploitation of the songs, composer receives the credit and the royals. In other words, songwriter gives the copywrith of the song to the publisher to exploit the song and thus, income generated to be shared by both the parties (Asscher, 1992). In olden times when musical recordings were not introduced, publishers and songwriter generated the income through sale of sheet music. Nowdays songs can be exploited via media which includes recordings, television, film, radio and video. Its the US copyright law which governs music publishing but due to some private contractual agreements some of the music publishing laws is negotiated (Fletcher and Lobato, 2013). The music publishers act as strong intermediaters between the music composers and the record companies. Half of the royalties along with the copyright of the song is enjoyed by the publisher from the music composer (Frith, 1988). A large cash advance by the publisher is made to the promising writer but sometimes this advance can also be minimal and records the songwriter composition with the performance. Its also the duty of publisher to collect royalities and to give songwriter share. Its the publisher who arrange for songs to be placed in television shows, advertisement and films and also assist the writer in obtaining recording contract if the songwriter is also a performer (Garofalo, 1999). The other thing which publisher is to do is collecting royalities and giving the share to songwriter. There are many sources from where the income of publishing comes, but the income generated from retail sale of the recordings is different (Hauser, 1958). The royalities are furthure differentiated into different tpes: Mechanical Royalities are obtained from the sale of recorded music with the right to record, copy and distribute copies of composition and these mechanical royalities are paid separately to the publishers by the recording companies. Each pubisher is required to grant a compulsory license to any one who wish to record a composition that has been in he past released commercially or has already been recorded and in return to this a minimum price is paud to the publisher which is at most of the time judged by the CONGRESS in the US. Normally a private license is taken to record a label on a negociated amount rahtr that to go through the rules and regulations which are basically very rigid and tough under a compulsory license act. In other words every tme your song is manufactured to be sold in the market in the form of a cassette or a cd etc, downloaded on a computer from a site, or on a digital music retail site, or aired through AIR or any other services like spotify , you owe a mechan ical royality.Thus huge /vast money can be collected and earned by way of the mechanical royalties (Popular Music: Education Issue, 1995). If someone buys one of your song and makes 1000 cd of it, you shall definitely be getting royality and that too handsome one, no matter those cds are further ever purchased by any of the buyesr or not.and in similar way if MP3s are made same way you shall be getting your share of job done, rest it may or may not get sold in the market. Performance Royalties: Apart from this tere are some performance royalties, to explain it, these are paid if in case a song is played on AIR (Radio), TV, or is used as back ground music, or in bars, clubs, dance parties etc. These performance royalties are so effective that through this sometimes the money earned may go in millions and trillions of dollars collections, But this is tough for the publisher to sign a performance licenses with all the above described parties, thus to curb up this problem PRO (Performing rights organisations) comes into existence which collects fees on behalf of these publishers or song writers, Some examples or such PRO which exists in the USA are the society of European state authors and composers (SESAC), Broad cast music inc. (BMI), The American society of society and composers, Authors and Publishers (ASCAP). A single publisher/Songwriter has got restricted to get himself registered under a single PRO only as if this is not done and a publisher/Songw riter is registered under several number of PRO there shall be a huge confusion as to which PRO is responsible to collect royalty on his behalf(Eagle, 2004). Recording artists who feels like being cheated by the publishers on account of their royality can very easily drag such publishers into the court, in future as well so many high profile artists has sued publishers on the above cheating basis, the best example has been the case of all time Dance super star Michael Jacksonwho had launched a suit under law against the Universal Music Group in the year 1980sclaiming for the unpaid royality that the company in concern has not paid to him, Sometimes even musicians also sue each other for infringement of copy rights (Eagle, 2004). There has been some important and famous cases in this regard ie Three boys music corporation Vs Bolton ,212 F .3d 477 (9th Cir. 2000). In starting years of 2000, The invention of music sharing through Internet has completed changed the face of recording industry ithrough out the world.With this any person can not download any song and save them at their desktops, things has become so easy now, thus this also gave birth to series of lawsuits in the music industry as well. Music piracy became a very important issue to deal with although prompt care was taken by the creators of file sharing software. In a noted case of the recording industry association of American (RIAA) some 261 cases were registered and filed against individuals who have downloaded these songs from the internet (SCHNOEBELEN, 1997). The situation had now become very awkward and disturbing, and the new technology has made the situation very alarming and significant that the matter now has to be tackled very carefully and continuously (Lazlo, 1979). Its publishing the primary source of income where the singers writing their own composition makes a lot of money but the funds gets transferred to the person who possesses the copyrights. We should now know this thing that it is not always that the person who sings a song is the owner of it, it my be prepared by one and then later sold in liew of funds to another person, and the buying person gets it registered and make its copyrights on his name and thue becomes the real owner of the same, now the real story of earning money starts as no one other than the copyrights holder of the song has got the permission to run that song until or unless it is permitted by the copyrights holder to do so, The money that you earn by that song is publishing, now the more famous your song will be the more money you shall earn from it, as ther shall be more and more people who wish to sing it or see its video (Sigman, 1988). Basically there ar many types of areas with which you earn money ie performan ce, Mechanical, print of that song and its synchronization. Performance and mechanical ways are the ways that earn you better/more money as compared to rest of the ways. Printing mode is the mode that allows an owner to earn money each and every time his concerned song has been printed or its lyrics are published, though it is not a manner to earn high money, but still even lesser money comes in, but money is money (Spencer, 1992). Synchronization license are a different type of as it is concerned with visual effects. Commercial, videos and sound tracks are some of the most important and bset examples of this concerned. Normally the money that come in by this way is huge and it can un doubtly be called as the best source of money generation licenses. The length of the commercial shall definitely change the money generation from it, also the popularity of that particular commercial, song or video shall effect the money incoming prospect, definitely there is no limit to the figures th at can be definitely earned from this. Most of the publishing companies all over the world likes that you carry forward all the problems that you face upon that concerned company and pay them half of the earings that you shall receive each and every time that concerned commercial, song etc is played, as an artist you may try to refrain from this but in case you do not apply for their assistance you may fall into serious complications as now you may have to track the running of that song in your country or probably through out the world, which in itself is a very hard task to follow up with (COOPER, 1938). Thus it is always recommended that we should always sign with a company which has got very huge relationships and branch image in the market. There may also be a possibility that the company may be very big brand holder but it must also be very just, as they may through their influence ever steel that thing from you, and you being a mere thing in front of them losses you actual hard work and creation, thus the publishing company should always be of clear character and sound background. Now some times you still feel the danger of getting exploited, then the only learned step to take at this time is to go for creation /start of a new company of your own. It is always good to hire a company who is trustworthy and who handles your songs with full faith and commitment, so that you do not end up in a mess (Stroh and Verhaalen, 1970). There are so many publishing contract which are associated with the music publishing agreement and this i of prompt importance that one should have through knowledge of these as well, Some of these are as follow ----- 1 ) Single Song Agreement. As the name suggest this deal is an agreement between the writer of the song and its publisher in which the former person gransts rights to the latter one to set for publication of 1 or at the most 2 songs and in such type of agreement the a one time recoupable payment is made. 2) Exclusive Song Writer Contract Such agreement in which the entire songs written and published with in a stipulated period of ime come into existence, thus any type of composition which is made by a writer in an affixed tenure of time belongs directly to the music publisher. 3 ) Co Publishing Agreement. The most common publishing agreement is the Co publishing agreement , which is also called as Co-Pub, under this both the writer and the publisher are the co owners of the song or each song thus made. This is made upon a pre decided share of the royality which is the outcome from that song, or commercial or video (Kidson, 1907). The share usually in this aspect is 50:50, but this may vary depending upon the experience or market value of any one of the parties, suppose if in case the writr is a new one and on the other habnd if the publisher is of quite renowned personality, the share may even go to 25:75 or vice versa, or it may even come down to 15:85 as well (Underwood, 1996). 4) Administration Agreement This type of agreement takes place between a writer/publisher and other music publisher, in this type of contract the writer himself publishes the concerned song and merely licenses the song to the music publisher for a certain tenure/term (Hoffman, 1948). Although this should always be kept in mind that the ownership of the cyrights are not transferable to the admistrator, but the publisher gets around 10-20% of the income generated from this (Royality). 5 ) Collection Agreement. This type of agreement is almost similar to that of the Admin deal whre the copyrights are retained by the writer except this that the exploitation functions such as business manager or accountant are not performed by the publisher. 6) Sub Publishing Agreement. Basically the deals which are done in Forgein countries or at forgein territories where there is no transfer of copyrights ownership is performed to the sub publisher, but this is also limited to 1 or more that 1 countries which falls under forgein origin.ofter this kind of agreement is mostly restricted to the Australia, European, Switzerland or Latin American countries. 7 ) Purchase Agreement. Under this type of agreement a music publisher acquires some rights or evn whole rights of another music publisher, which may also be considered as some what like merger of companies.Concept of Due diligence is run in this type of cases so that no disputes may arise in future (Author agreement and copyright, 2003). Collection societies are organisations handling the function of right management, these rights owners perfoms the following duties All non exclusive licenses are sold by them. Royalties are collected by them. All the royalties thus collected are distributed as agreed at the beginnening by them. They also ger indulged into entering into contracts with other collecting societies. Look that their rights and enforced. Conclusion Now as we have gone through all the concepts pros and cons and royality distribution, and there after the impact of introduction of internet and changes that came as dramatic by nature and disputes which arose at that times, and other all concepts which concerns this music publishing concept, we conclude that this concept is very vast and fast grown, this involves so many complications and arrangements to tackle these complications, and its future hazards. The information which has been discussed above have provided us with the clear picture that how this music industry is atructured and what all changes has come during this journey since its inception. The above has streamlined both ways of the argument. The concept of music piracy has been come in existence much due to this music industry; it has also given brth to downloading of any of the music or commercial and is particularly called as peer to peer networks. Thus this is completed true if we say that the money which a writer ea rn on behalf of his song being published or bought into live performances are such huge and unexpected that this may surprise even almost all the human generation (Jackson and Sant, 1985). The best part is to make a company of your own so as to safe guard the risk which may emerge on account of getting trapped into the hands of some bigger and popular music publishing companies (Kidson, 1907) References Asscher, M. (1992). What publishers need in national copyright laws.Publishing Research Quarterly, 8(2), pp.21-26. Author agreement and copyright. (2003).Journal of Midwifery Women's Health, 48(4), pp.A23-A23. COOPER, M. (1938). LISZT AS A SONG WRITER.Music and Letters, XIX(2), pp.171-181. Eagle, B. (2004). Predicting Black Musical Innovation and Integration: The 1850 Mance Index for Appalachia.Black Music Research Journal, 24(1), p.73. Fletcher, L. and Lobato, R. (2013). Living and Labouring as a Music Writer.CSR, 19(1), p.155. Frith, S. (1988). Copyright and the music business.Popular Music, 7(01), p.57. Garofalo, R. (1999). From Music Publishing to MP3: Music and Industry in the Twentieth Century.American Music, 17(3), p.318. Hauser, A. (1958). American Music Publishing in 1958.Notes, 15(3), p.377. Hoffman, M. (1948). Go Ahead and Sign That Contract!.Music Educators Journal, 34(6), p.9. Jackson, R. and Sanjek, R. (1985). From Print to Plastic: Publishing and Promoting America's Popular Music (1900-1980).American Music, 3(4), p.494. Kidson, F. (1907). Old-Time Music Publishing.The Musical Times, 48(771), p.303. Lazlo, D. (1979). New Music Distribution Service.Computer Music Journal, 3(2), p.5. Lund, J. (n.d.). Fixing Music Copyright.SSRN Journal. Music. (1981).Early Music, 9(2), pp.267-267. Popular Music: Education Issue. (1995).Popular Music, 14(01), p.127. SCHNOEBELEN, A. (1997). The Relities of the music publishing word.Early Music, XXV(2), pp.349-349. Sigman, M. (1988). A Serious Look at Serious Music Publishing.Music Educators Journal, 74(7), p.38. Spencer, G. (1992). Music Publishing and Music Representation in the Technological Age: A Symposium.Computer Music Journal, 16(3), p.96. Stroh, D. and Verhaalen, S. (1970). Publishing: Who Gains?.Music Educators Journal, 56(8), p.18. Underwood, K. (1996). Archival Guidelines for the Music Publishing Industry.Notes, 52(4), p.1112.

Music Publishing Need in National Copyright Laws

Question: Write an essay on music publishing? Answer: Introduction: Music publishing is termed as a contractual relationship between the music publisher and the songwriter, under such contract music composer assigns all copyrights of the music to the publisher for commercial exploitation of the music (Kidson, 1907). Randal Wixen described Music Publishing is the owing and exploiting of songs in the form of musical copyrights. Development, valuation and protection of the music are the things which are concerned in the business of music publishing. As per contract publisher ensures that with the exploitation of the songs, composer receives the credit and the royals. In other words, songwriter gives the copywrith of the song to the publisher to exploit the song and thus, income generated to be shared by both the parties (Asscher, 1992). In olden times when musical recordings were not introduced, publishers and songwriter generated the income through sale of sheet music. Nowdays songs can be exploited via media which includes recordings, television, film, radio and video. Its the US copyright law which governs music publishing but due to some private contractual agreements some of the music publishing laws is negotiated (Fletcher and Lobato, 2013). The music publishers act as strong intermediaters between the music composers and the record companies. Half of the royalties along with the copyright of the song is enjoyed by the publisher from the music composer (Frith, 1988). A large cash advance by the publisher is made to the promising writer but sometimes this advance can also be minimal and records the songwriter composition with the performance. Its also the duty of publisher to collect royalities and to give songwriter share. Its the publisher who arrange for songs to be placed in television shows, advertisement and films and also assist the writer in obtaining recording contract if the songwriter is also a performer (Garofalo, 1999). The other thing which publisher is to do is collecting royalities and giving the share to songwriter. There are many sources from where the income of publishing comes, but the income generated from retail sale of the recordings is different (Hauser, 1958). The royalities are furthure differentiated into different tpes: Mechanical Royalities are obtained from the sale of recorded music with the right to record, copy and distribute copies of composition and these mechanical royalities are paid separately to the publishers by the recording companies. Each pubisher is required to grant a compulsory license to any one who wish to record a composition that has been in he past released commercially or has already been recorded and in return to this a minimum price is paud to the publisher which is at most of the time judged by the CONGRESS in the US. Normally a private license is taken to record a label on a negociated amount rahtr that to go through the rules and regulations which are basically very rigid and tough under a compulsory license act. In other words every tme your song is manufactured to be sold in the market in the form of a cassette or a cd etc, downloaded on a computer from a site, or on a digital music retail site, or aired through AIR or any other services like spotify , you owe a mechan ical royality.Thus huge /vast money can be collected and earned by way of the mechanical royalties (Popular Music: Education Issue, 1995). If someone buys one of your song and makes 1000 cd of it, you shall definitely be getting royality and that too handsome one, no matter those cds are further ever purchased by any of the buyesr or not.and in similar way if MP3s are made same way you shall be getting your share of job done, rest it may or may not get sold in the market. Performance Royalties: Apart from this tere are some performance royalties, to explain it, these are paid if in case a song is played on AIR (Radio), TV, or is used as back ground music, or in bars, clubs, dance parties etc. These performance royalties are so effective that through this sometimes the money earned may go in millions and trillions of dollars collections, But this is tough for the publisher to sign a performance licenses with all the above described parties, thus to curb up this problem PRO (Performing rights organisations) comes into existence which collects fees on behalf of these publishers or song writers, Some examples or such PRO which exists in the USA are the society of European state authors and composers (SESAC), Broad cast music inc. (BMI), The American society of society and composers, Authors and Publishers (ASCAP). A single publisher/Songwriter has got restricted to get himself registered under a single PRO only as if this is not done and a publisher/Songw riter is registered under several number of PRO there shall be a huge confusion as to which PRO is responsible to collect royalty on his behalf(Eagle, 2004). Recording artists who feels like being cheated by the publishers on account of their royality can very easily drag such publishers into the court, in future as well so many high profile artists has sued publishers on the above cheating basis, the best example has been the case of all time Dance super star Michael Jacksonwho had launched a suit under law against the Universal Music Group in the year 1980sclaiming for the unpaid royality that the company in concern has not paid to him, Sometimes even musicians also sue each other for infringement of copy rights (Eagle, 2004). There has been some important and famous cases in this regard ie Three boys music corporation Vs Bolton ,212 F .3d 477 (9th Cir. 2000). In starting years of 2000, The invention of music sharing through Internet has completed changed the face of recording industry ithrough out the world.With this any person can not download any song and save them at their desktops, things has become so easy now, thus this also gave birth to series of lawsuits in the music industry as well. Music piracy became a very important issue to deal with although prompt care was taken by the creators of file sharing software. In a noted case of the recording industry association of American (RIAA) some 261 cases were registered and filed against individuals who have downloaded these songs from the internet (SCHNOEBELEN, 1997). The situation had now become very awkward and disturbing, and the new technology has made the situation very alarming and significant that the matter now has to be tackled very carefully and continuously (Lazlo, 1979). Its publishing the primary source of income where the singers writing their own composition makes a lot of money but the funds gets transferred to the person who possesses the copyrights. We should now know this thing that it is not always that the person who sings a song is the owner of it, it my be prepared by one and then later sold in liew of funds to another person, and the buying person gets it registered and make its copyrights on his name and thue becomes the real owner of the same, now the real story of earning money starts as no one other than the copyrights holder of the song has got the permission to run that song until or unless it is permitted by the copyrights holder to do so, The money that you earn by that song is publishing, now the more famous your song will be the more money you shall earn from it, as ther shall be more and more people who wish to sing it or see its video (Sigman, 1988). Basically there ar many types of areas with which you earn money ie performan ce, Mechanical, print of that song and its synchronization. Performance and mechanical ways are the ways that earn you better/more money as compared to rest of the ways. Printing mode is the mode that allows an owner to earn money each and every time his concerned song has been printed or its lyrics are published, though it is not a manner to earn high money, but still even lesser money comes in, but money is money (Spencer, 1992). Synchronization license are a different type of as it is concerned with visual effects. Commercial, videos and sound tracks are some of the most important and bset examples of this concerned. Normally the money that come in by this way is huge and it can un doubtly be called as the best source of money generation licenses. The length of the commercial shall definitely change the money generation from it, also the popularity of that particular commercial, song or video shall effect the money incoming prospect, definitely there is no limit to the figures th at can be definitely earned from this. Most of the publishing companies all over the world likes that you carry forward all the problems that you face upon that concerned company and pay them half of the earings that you shall receive each and every time that concerned commercial, song etc is played, as an artist you may try to refrain from this but in case you do not apply for their assistance you may fall into serious complications as now you may have to track the running of that song in your country or probably through out the world, which in itself is a very hard task to follow up with (COOPER, 1938). Thus it is always recommended that we should always sign with a company which has got very huge relationships and branch image in the market. There may also be a possibility that the company may be very big brand holder but it must also be very just, as they may through their influence ever steel that thing from you, and you being a mere thing in front of them losses you actual hard work and creation, thus the publishing company should always be of clear character and sound background. Now some times you still feel the danger of getting exploited, then the only learned step to take at this time is to go for creation /start of a new company of your own. It is always good to hire a company who is trustworthy and who handles your songs with full faith and commitment, so that you do not end up in a mess (Stroh and Verhaalen, 1970). There are so many publishing contract which are associated with the music publishing agreement and this i of prompt importance that one should have through knowledge of these as well, Some of these are as follow ----- 1 ) Single Song Agreement. As the name suggest this deal is an agreement between the writer of the song and its publisher in which the former person gransts rights to the latter one to set for publication of 1 or at the most 2 songs and in such type of agreement the a one time recoupable payment is made. 2) Exclusive Song Writer Contract Such agreement in which the entire songs written and published with in a stipulated period of ime come into existence, thus any type of composition which is made by a writer in an affixed tenure of time belongs directly to the music publisher. 3 ) Co Publishing Agreement. The most common publishing agreement is the Co publishing agreement , which is also called as Co-Pub, under this both the writer and the publisher are the co owners of the song or each song thus made. This is made upon a pre decided share of the royality which is the outcome from that song, or commercial or video (Kidson, 1907). The share usually in this aspect is 50:50, but this may vary depending upon the experience or market value of any one of the parties, suppose if in case the writr is a new one and on the other habnd if the publisher is of quite renowned personality, the share may even go to 25:75 or vice versa, or it may even come down to 15:85 as well (Underwood, 1996). 4) Administration Agreement This type of agreement takes place between a writer/publisher and other music publisher, in this type of contract the writer himself publishes the concerned song and merely licenses the song to the music publisher for a certain tenure/term (Hoffman, 1948). Although this should always be kept in mind that the ownership of the cyrights are not transferable to the admistrator, but the publisher gets around 10-20% of the income generated from this (Royality). 5 ) Collection Agreement. This type of agreement is almost similar to that of the Admin deal whre the copyrights are retained by the writer except this that the exploitation functions such as business manager or accountant are not performed by the publisher. 6) Sub Publishing Agreement. Basically the deals which are done in Forgein countries or at forgein territories where there is no transfer of copyrights ownership is performed to the sub publisher, but this is also limited to 1 or more that 1 countries which falls under forgein origin.ofter this kind of agreement is mostly restricted to the Australia, European, Switzerland or Latin American countries. 7 ) Purchase Agreement. Under this type of agreement a music publisher acquires some rights or evn whole rights of another music publisher, which may also be considered as some what like merger of companies.Concept of Due diligence is run in this type of cases so that no disputes may arise in future (Author agreement and copyright, 2003). Collection societies are organisations handling the function of right management, these rights owners perfoms the following duties All non exclusive licenses are sold by them. Royalties are collected by them. All the royalties thus collected are distributed as agreed at the beginnening by them. They also ger indulged into entering into contracts with other collecting societies. Look that their rights and enforced. Conclusion Now as we have gone through all the concepts pros and cons and royality distribution, and there after the impact of introduction of internet and changes that came as dramatic by nature and disputes which arose at that times, and other all concepts which concerns this music publishing concept, we conclude that this concept is very vast and fast grown, this involves so many complications and arrangements to tackle these complications, and its future hazards. The information which has been discussed above have provided us with the clear picture that how this music industry is atructured and what all changes has come during this journey since its inception. The above has streamlined both ways of the argument. The concept of music piracy has been come in existence much due to this music industry; it has also given brth to downloading of any of the music or commercial and is particularly called as peer to peer networks. Thus this is completed true if we say that the money which a writer ea rn on behalf of his song being published or bought into live performances are such huge and unexpected that this may surprise even almost all the human generation (Jackson and Sant, 1985). The best part is to make a company of your own so as to safe guard the risk which may emerge on account of getting trapped into the hands of some bigger and popular music publishing companies (Kidson, 1907) References Asscher, M. (1992). What publishers need in national copyright laws.Publishing Research Quarterly, 8(2), pp.21-26. Author agreement and copyright. (2003).Journal of Midwifery Women's Health, 48(4), pp.A23-A23. COOPER, M. (1938). LISZT AS A SONG WRITER.Music and Letters, XIX(2), pp.171-181. Eagle, B. (2004). Predicting Black Musical Innovation and Integration: The 1850 Mance Index for Appalachia.Black Music Research Journal, 24(1), p.73. Fletcher, L. and Lobato, R. (2013). Living and Labouring as a Music Writer.CSR, 19(1), p.155. Frith, S. (1988). Copyright and the music business.Popular Music, 7(01), p.57. Garofalo, R. (1999). From Music Publishing to MP3: Music and Industry in the Twentieth Century.American Music, 17(3), p.318. Hauser, A. (1958). American Music Publishing in 1958.Notes, 15(3), p.377. Hoffman, M. (1948). Go Ahead and Sign That Contract!.Music Educators Journal, 34(6), p.9. Jackson, R. and Sanjek, R. (1985). From Print to Plastic: Publishing and Promoting America's Popular Music (1900-1980).American Music, 3(4), p.494. Kidson, F. (1907). Old-Time Music Publishing.The Musical Times, 48(771), p.303. Lazlo, D. (1979). New Music Distribution Service.Computer Music Journal, 3(2), p.5. Lund, J. (n.d.). Fixing Music Copyright.SSRN Journal. Music. (1981).Early Music, 9(2), pp.267-267. Popular Music: Education Issue. (1995).Popular Music, 14(01), p.127. SCHNOEBELEN, A. (1997). The Relities of the music publishing word.Early Music, XXV(2), pp.349-349. Sigman, M. (1988). A Serious Look at Serious Music Publishing.Music Educators Journal, 74(7), p.38. Spencer, G. (1992). Music Publishing and Music Representation in the Technological Age: A Symposium.Computer Music Journal, 16(3), p.96. Stroh, D. and Verhaalen, S. (1970). Publishing: Who Gains?.Music Educators Journal, 56(8), p.18. Underwood, K. (1996). Archival Guidelines for the Music Publishing Industry.Notes, 52(4), p.1112.

Wix vs WordPress Which Is Better for You (Everything You Need to Know)

Creating a website has never been a task for the faint of heart. Even the simplest site will require time, money, and know-how to steer it in the right direction. Thats where Wix vs WordPress come into play.Or at least, that used to be the case, until website  builders and Content Management Systems (CMS) took the web by storm, including the two titular platforms. Wix and WordPress two very different tools which share one common goal: enabling users to create stunning and usable websites in a simple manner.In the spirit of healthy competition, well be pitting Wix vs WordPress to measure how they perform against each other in four different categories. In the end only one will remain, so lets get the fight started!Wix vs WordPress1. Ease of useGetting started on Wix is a simple process. Once youve signed up, it will ask you what kind of website you want to create, and then it will send you right over to its collection of templates for your chosen  category.After making your choic e you can begin tinkering with it using Wixs colorful drag-and-drop editor. You can create new pages using a drop-down menu without leaving the editor, and switch between them in a matter of seconds.Moving onto WordPress, taking your first steps with the CMS can be a little intimidating, since it doesnt hold your hand too much. While there are thousands of articles and tutorials covering every simple step of the process – from creating new pages to choosing the right theme – getting to know WordPress ins and outs can take a while.WordPress 0 : Wix 1 The first round of the Wix vs WordPress fight goes to Wix, which has you up and running in no time at all.2. Depth of CustomizationFor this round, well take into consideration two aspects: design customization, and the ability to implement advanced features.Wix offers its users hundreds of website templates – all of which are fully responsive – and enables them to tinker with the editor to add their personal t ouches, so thats a good start.When it comes to the implementation of advanced features, Wix boasts a catalog of eighty apps  that can be added to your site in a matter of seconds. They range from form builders, to reservation systems, and even pricing tables.WordPress, on the other hand, only offers 15 official themes on its site. Thats pretty disheartening until you realize that there are thousands of third-party themes available on sites like ThemeForest, Elegant Themes, and  our very own ThemeIsle.Moving on, when it comes to plugins, WordPress is second to none. There are over 46,000 plugins available on WordPress.org, and the community shows no signs of slowing down. If you can imagine something, theres almost certainly  a plugin for it.WordPress 1 : Wix 1 Round two of Wix vs WordPress goes to WordPress – the undisputed king when it comes to customization options.3. SecurityWix and WordPress feature two entirely separate approaches when it comes to security. The fir st takes it entirely out of your hands – aside from the basics such as choosing a good password and using two-factor authentication – and handles the security aspect of things on their own. You sign up, you pay, and as long as the checks keep clearing, there will be people whose job it is to keep your site safe.WordPress, however, places the brunt of securing your website on your shoulders. You need to stay on top of core updates, check for various errors, choose the right host, and handle pretty much everything else yourself.To some people, this may sound like a lot of responsibility, but its mostly common sense. A WordPress website is as secure as its owner makes it.Furthermore, there are plenty of plugins dedicated solely to keeping your WordPress sites safe, such as WordFence. Wordfence Security Firewall Malware Scan Author(s): WordfenceCurrent Version: 7.4.0Last Updated: August 22, 2019wordfence.7.4.0.zip 96%Ratings 135,846,747Downloads WP 3.9+Requires W ordPress 2 : Wix 1 WordPress takes the crown again this round. Securing your WordPress site is not that challenging, and you should face no security problems as long as you stay on top of the factors we mentioned. Furthermore, you have the option to make your site as secure as  you want it to be.4. SupportWix offers both a robust knowledge base as well as telephone (you can request a callback) and support. The downside of Wix’s support is that they use templated messages quite a lot. So you may have to write them a few times to get your issue resolved if it’s a bit more complex. Response times are usually less than 24 hours, which is acceptable.On the other side of the coin, WordPress doesnt offer any specialized support aside from its knowledge base. However, entire libraries could be filled with the many articles that have been written on how to perform any imaginable action using the CMS.Whats more, most plugins and themes receive support from their developers, wh ich is kind of like always having a  chef available to answer your questions whenever youre  making a recipe.WordPress 3 : Wix 2 This round of Wix vs WordPress is a tie. Finding help for your particular issues may require a bit of googling with WordPress, but youll be sure to find an answer to just about any  inquiry if you look hard enough.5. SEOWix hasn’t really got the best reputation for SEO. But rest assured, this comes mainly from Wix’s past when they were still a Flash-based website builder. In 2012 however, they switched to a completely new platform based on HTML5, adding all modern SEO options like customizable URLs as well as page titles and descriptions. They even added 301 redirects and the possibility to add canonical URLs to your pages. You can check this table for a full SEO feature list.An area they still need to work on is their loading speed. Despite having improved quite a bit already by adding advanced features such as page caching and better image compression, you are still limited to what the Wix editor allows you to do. Wordpress, on the other hand, let’s you do whatever you want. Not right out of the gate but if you install the right plugin(s) your SEO options will be limitless. Yoast is a great one but there are also very decent alternatives available.You also have much better options to crank up your loading speed by choosing your own host and adding plugins to cache and minify your pages.WordPress 4 : Wix 2 The final round goes to WordPress again. Even though Wix’s SEO options are probably more sufficient for beginners, if you are in a very competitive niche, it’s better to have to full arsenal of tools available.Wix vs WordPress: Which one should you use?Ultimately, we have to rule in favor on WordPress when it comes to the Wix vs WordPress debate. Heres why:It enables its users to customize every single aspect of their website.Despite forcing users to take security into their hands, it provi des them with all of the tools to do so.There are hundreds if not thousands of articles, tutorials, and videos available for tackling any issues you might encounter.Despite ruling for WordPress, we have to say that were mightily impressed by how easy it is to use Wix and the many options it provides. If youre just looking to get an attractive website up and running quickly, then it might just be the right pick for you.Choosing which platform youll use to develop your website  is a tough choice to make. Whichever decision you take will come with its own set of pros and cons – but once youve taken that first step, the rest of your website designing career can begin at last!Ultimately, we decided to go with WordPress, but that is not to say that Wix isnt a viable option – in fact, its a great tool for getting simple websites up and running fast, and it offers a lot of plans for different types of users.Which side are you on when it comes to the Wix vs WordPress debate? Share your reasons with us in the comments section below!Free guide5 Essential Tips to Speed Up Your WordPress SiteReduce your loading time by even 50-80% just by following simple tips. * This post contains affiliate links, which means that if you click on one of the product links and then purchase the product, well receive a small fee. No worries though, youll still pay the standard amount so theres no cost on your part.

Dulce Et Decorum Est Analysis Essay Example

Dulce Et Decorum Est Analysis Paper . In Owen’s â€Å"Dulce Et Decorum Est,† Owen provides the reader with many examples of imagery conveyed through various literary devices. In English, Dulce Et Decorum Est, translates to â€Å"it is sweet and fitting, to die for your native land. † The images of excitement, death, and sadness that are painted by Owen are the most well conveyed and therefore the most impactful images and to ultimately show the irony in the poem because of Owen’s choice of literary techniques. An example that is well projected is â€Å"GAS! Gas! Quick, boys! An ecstasy of fumbling, fitting the clumsy helmets just in time;† these lines produce an image of excitement. The image of excitement Owen produces among the soldiers is done through the use of charged words and punctuation. The image that is produced from â€Å"GAS! Gas! Quick, boys! An ecstasy of fumbling, fitting the clumsy helmets just in time,† can be described as a division of soldiers in the trenches going about the daily routine of shooting and getting shot at, undergo a horrid excitement of gas landing in the trenches. Then, as a soldier barks, telling the others to place on the gas masks. By using words such as â€Å" ecstasy,† â€Å"fumbling,† and â€Å"clumsy,† Owen touches the reader’s emotion by depicting an action that is intense because this movement of the soldiers will either mean life or a slow, painful death. Also, the punctuation that is present produces an envisionment of an officer barking at the younger, less experienced troops, telling the soldiers to put on the masks over the words â€Å"GAS! Gas! Quick, boys! We will write a custom essay sample on Dulce Et Decorum Est Analysis specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Dulce Et Decorum Est Analysis specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Dulce Et Decorum Est Analysis specifically for you FOR ONLY $16.38 $13.9/page Hire Writer † The overall image smoothly and excitingly transitions from the walking, bloody, and fatigued troops to a life or death situation that makes an essential impact on the poem. Though the troop of men successfully attached the gas masks, Owen continues on to further depict an image of a not so fortunate man who did not have the same privilege. The picture from â€Å"And floundering like a man in fire or lime. Dim, through the misty panes and thick green light As under a green sea, I saw him drowning† can be described as an unfortunate man that is being eradicated through a short, painful death. By using imagery to describe the dying man that could be seen through the thick, green and misty gas, Owen describes a painful death of a soldier in such detail through the use of imagery, allows the reader to picture this â€Å"deathly painting. †. Also, the metaphor, â€Å"As under a green sea† compares murky sea water to the thickness and coloration of the gas the soldier is entrapped in. The picture continues the previous image of the soldiers affixing the masks to an unfortunate man that was not able to do so, and paid the price. Before the splurge of excitement and the dying of a soldier, the same group of men were already suffering from the effects of war as depicted previously in the poem. The picture of death Owen conveys among the unlucky soldier is done through the use of imagery and metaphor. The depiction of the sadness of war Owen coins among the unlucky soldiers is completed through the use of punctuation and charged words from â€Å"Many lost their boots but limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. †By employing punctuation to illustrate the slow and trudging group of men. With every punctuation within the lines of poetry, the punctuation characterizes a pause in the soldiers’ walking as they prepare for the next seemingly endless step through the sludge in the trenches. Also, the charged words such as â€Å"limped,† â€Å"lame,† and â€Å"deaf,† allow the reader to put envision what it was like to be in a soldiers’ boots and experience the true colors of war; sadness and despair. The image shows the condition of the group of soldiers as well as the landscape the soldiers call home. By employing the literary devices of punctuation and charged words, Owen gives the reader an envisionment of the group of men and the tolls of war. Through Owen’s choice of literary devices, Owen successfully portrays excitement, death, and sadness to the reader and without these images, Owen could not have conveyed the irony in the phrase â€Å"Dulce Et Decorum Est. † The portraits of the soldiers equipped with gas masks, the dying soldier, and the condition of the troops show the true colors of war, which is what Owen was attempting to convey throughout the poem.

The Views of the Man Who Ended the Cold War essays

The Views of the Man Who Ended the Cold War essays The Views of the Man Who Ended the Cold War Gail Sheehy. The Man Who Changed the World- The Lives of Mikhail S. Gorbachev. Mikhail Gorbachev. Perestroika- New Thinking for Our Country and the World. The two books that I am critiquing are about Mikhail Gorbachev and his political policies. The first book is called The Man Who Changed the World- The lives of Mikhail S. Gorbachev by Gail Sheehy. The second is Perestroika- New Thinking for Our Country and the World by Mikhail Gorbachev. Gail Sheehys book is a biography of Gorbachev from birth until present times, and it really helps in understanding the second book, Perestroika, which is about Gorbachevs political policies that turned the Soviet Union upside down. These books complement each other very well. The Man Who Changed the World is a well-covered look at Gorbachevs life- his roots, his early life, and how he rose into power. It gives some reasoning as to why he is not the typical Russian Communist Party leader. The most startling fact I discovered about Gorbachev is that he is not technically Russian. Both sets of his grandparents were Ukrainian Cossacks. Cossacks were much like the pilgrims were to early America. The Cossacks were groups of people who had escaped from oppressive conditions and migrated north in search of religious and political freedoms. Gorbachev had rebel blood from the very beginning- and was far from the typical submissive Russian peasant farmer. These people formed their own towns and tried to become self-sufficient in Russias mother-land in the south. He was born in 1931, during the heart of the Great Depression, and during some of the worst times that Russia was to experience. Stalin was basically creating a state sponsored famine with the way he was managing the countrys food supply, and the strict rules the people had to abide by. He would take all of their food away for the slightest becau...

Course Project Term Paper Example | Topics and Well Written Essays - 3250 words

Course Project - Term Paper Example BPM is a divided discipline with many different styles, notations and assets. An example is the UML which extends from the application level to the BPM level. All existing BPM approaches can be utilized as a starting point for Subject- Oriented Architecture and Design. The primary goal of a service-oriented analysis is to determine the necessary parameters for subsequent design and building of a project. In this process abstract candidates are only modeled to be considered in the final design process (Erl, 2006). The process is important in that the relevant candidates considered are subjected to the technical architecture for the design and are expected to be sustained. This stage thus involves the creation of service candidates and the proposition of operation candidates. A customer management system stores the customer profile and related information. It consist of database with a Web-based data entry and user reporting interface. They are contact-centric database that offers tracking approach to all the information and activities linked to customers. It allows several people in the company to share information in the database. It has an advantage of tracking sales and a centralized repository of contact information. The second automation system is a two-tier client-server system that controls the accounting and inventory transactions. Information is fed into incoming and outgoing standard transaction documents. A receipt of a purchase order initiates the invoicing and start of a delivery process of the selected movies from the Blockbooster website. The proposed business process is broken into smaller process steps. Our case study concerns an alliance between Blockbooster and Reddish Box $1 to salvage the Blockbooster from an imminent collapse. Due to stiff competition from a major competitor (NetFlicks) the alliance implemented by an SOA Web service will